As a career coach and artist-advocate, who had a successful career as an artist, I am always on the lookout for books to recommend to clients that offer excellent guidance about facets of developing a career as an artist, including the innerworkings of the artworld. I am very picky! Each book that I recommend contains advice, and/or observations that can help artists make wise career plans and decisions, develop realistic expectations, and soothe anxieties.
I wrote...
How to Survive and Prosper as an Artist: Selling Yourself Without Selling Your Soul
I love this book because it not only explores the way in which art gets made, it delves into the reasons art often doesn’t get made, and the difficulties that cause so many artists to give up along the way.
All too often, the give-up factor is prevalent both in the art-making process and in the art-marketing process. I particularly liked the chapter “ Fears of Others,” which offers excellent insights into artists giving their power away.
Art & Fear is about the way art gets made, the reasons it often doesn't get made, and the nature of the difficulties that cause so many artists to give up along the way. Drawing on the authors' own experiences as two working artists, the book delves into the internal and external challenges to making art in the real world, and shows how they can be overcome every day.
First published in 1994, Art & Fear quickly became an underground classic, and word-of-mouth has placed it among the best-selling books on artmaking and creativity. Written by artists for artists, it…
As a career coach and artist advocate, I was curious about what the author had to say about the inner workings of the art world. Quite happily, I read an insightful and humorous probe from a writer who sincerely wanted to understand art and its importance.
Bosker is not afraid of naming names when discussing critics, gallery owners, curators, collectors, and artists. She goes undercover, so to speak, and writes about her experiences as a gallery assistant, an artist’s assistant, a museum security guard, and a sales assistant at Art Basel Miami. And to add to her experiences, she tackles the use of the foreign language of “art speak.”
I can open any page of this book and discover meaningful observations—with lots of food for thought. For two decades, the late artist and educator Walter Darby Bannard reflected on the question, why do young artists struggle to find their voices?
He answered the question with engaging insights based on his personal philosophy. At the urging of a former student, he put his thoughts into a book. But you don’t need to be an aspiring artist to treasure what Bannard has to say; artists at all career levels will be inspired by his words.
Filled with many humorous pages of ridicule about the modern art world, one big reason that I love this book is Wolfe’s attack on “art speak,” the nauseating language used by critics and artists alike. He smugly suggests that in today’s world, visual art only exists to illustrate the text!
Pretentious prose has become a norm in art world communication. Although artists vehemently criticize this style of writing, unfortunately, many believe that their work will not be taken seriously unless they imitate what they despise.
Reissued for today's reader with a redesigned cover by the renowned artist Seymour Chwast, Tom Wolfe trains his satirical eye on Modern Art in this “masterpiece” (The Washington Post).
What has become of art?
In his dazzling and controversial book The Painted Word, Tom Wolfe explores this question and more as he investigates early trends in Modern Art and critiques the critics who dominated the art world during the 1960s and '70s. Wolfe addresses the scope of Modern Art, from its founding days as Abstract Expressionism through its transformations to Pop, Op, Minimal, and Conceptual. He bring into question the…
When I was very young, I experienced firsthand an ugly lawsuit involving an art gallery. I can’t stress enough how important it is for artists to be knowledgeable and up-to-date on the legal aspects affecting their careers.
The new edition of this book will be of great help because it thoroughly covers the many changes in art laws and artists' legal rights and obligations, including, for example, the laws protecting artists in artist-gallery relationships.
This classic guide for artists is completely revised and updated to provide an in-depth view of the legal issues facing the visual artist today and provides practical legal guidance for any visual artist involved with creative work. Among the many new topics covered in this comprehensive guide are: detailed coverage of the myriad developments in copyright (including online copyright registration procedures and use of art on the Internet); changes in laws protecting artists in artist-gallery relationships are explained in depth; scope of First Amendment protections for graffiti art and the sale of art in public spaces; detailed as well as…
This updated and revised classic handbook puts to rest the popular myth of the starving artist. There is plenty of room to make a living–if artists take an active stand in promoting their careers and learn how to navigate the often-bewildering corridors of power that lead to success in the art world.
Written for fine artists who are ready to launch their careers–and experienced artists who want to relaunch their careers. The new edition empowers artists to take control of their careers, create a fulfilling life, and earn a decent income. The book continues to demystify the inner workings of the art world and challenge the status quo.
